Star Wars News Net Featured Articles. Mark Ellis, Joseph Scrimshaw, Ash Crossan, and Jennifer Landa discuss what to expect from upcoming ‘The Last Jedi’ trailer; talk about Ron Howard’s tweets from the untitled Han Solo set; share their thoughts on some cool Battlefront II details; comment on the new Forces of Destiny clips; What’s the Deal With Canon?; A Short Time Ago, In a Tweet Far, Far Away… and much, much more! The entertainment site where fans come first. Your daily source for all things TV, movies, and games, including Star Wars, Fallout, Marvel, DC and more. Created by George Lucas. With Tom Kane, Dee Bradley Baker, Matt Lanter, James Arnold Taylor. Yoda, Mace Windu, Obi-Wan Kenobi, Anakin Skywalker and other Jedi Knights. EA has made some major Star Wars: Battlefront 2 announcements, including new images, multiplayer details and an official release date. · · Watch the official trailer for Rogue One: A Star Wars Story, in which a group of unlikely heroes band together on a mission to steal the plans to the Death. Cover Story: Star Wars: The Last Jedi, the Definitive Preview. I. “We’re Going Back?”The first trip to Skellig Michael was wondrous: an hour- long boat ride to a craggy, green island off the coast of Ireland’s County Kerry, and then a hike up hundreds of stone steps to a scenic cliff where, a thousand years earlier, medieval Christian monks had paced and prayed. This is where Mark Hamill reprised his role as Luke Skywalker for the first time since 1. Daisy Ridley, whose character, Rey, was the protagonist of The Force Awakens, J. J. Abrams’s resumption of George Lucas’s Star Wars movie saga. The opening sentence of the film’s scrolling- text “crawl,” a hallmark of the series, was “Luke Skywalker has vanished.” Atop Skellig Michael, at the picture’s very end, after an arduous journey by Rey, came the big payoff: a cloaked, solitary figure unhooding himself to reveal an older, bearded Luke, who wordlessly, inscrutably regarded the tremulous Rey as she presented to him the lightsaber he had lost (along with his right hand) in a long- ago duel with Darth Vader, his father turned adversary. It was movie magic: a scene that, though filmed in 2. The second trip to Skellig Michael? Maybe less of a thrill for an aging Jedi. Contrary to what one might have reasonably expected, that Abrams would have kept rolling in ’1. Luke and Rey in order to get a jump on the saga’s next installment—especially given that Skellig Michael is a UNESCO World Heritage Site, with access limited to the summer months, and only when the weather is cooperative—once Hamill and Ridley had nailed their epic staredown, that was a wrap. It fell to Abrams’s successor, Rian Johnson, the director of The Last Jedi, the eighth movie in the saga, which opens this December, to painstakingly re- stage the clifftop scene, with the two actors retaking their places more than a year later. New Hope. Daisy Ridley’s Rey hones her lightsaber skills—and channels her inner Force. Photograph by Annie Leibovitz.“When I read the script for Episode VIII, I went, ‘Oh my God, we’re going back?’ Because I said I was never going back,” Hamill told me when I sat down with him recently at his home in Malibu. After three seasons telling the story of the burgeoning Rebel Alliance, the fourth and final season of Star Wars Rebels is finally going to show that central piece of. The official site for Star Wars, featuring the latest on Star Wars: The Last Jedi, Rogue One: A Star Wars Story, and Star Wars Rebels. Star Wars Battlefront II will be released on November 17, 2017 by Electronic Arts. It is a. Archives 2017 (757) September (68) SWNN Video: To Catch a Thief - The Hidden Influences Behind Star Wars: The Last Jedi; SWNN's The Resistance Broadcast - Episode 84. He wondered, in vain, if they could drop him in by chopper this time, “which is so clueless of me, because there’s no landing pad, and it would mar the beauty of it all,” he said. Hamill is a youthful 6. Rey- Luke meeting spot—carrying heavy equipment—Hamill was allotted an hour and a half, “and I had to stop every 1. None of this was offered up in the form of complaint. Hamill just happens to be a rambling, expansive talker—in his own way, as endearingly offbeat a character as his friend and on- screen twin sister, Carrie Fisher, who passed away suddenly and tragically last December. Like Fisher, Hamill was put on a diet- and- exercise regimen after he was reconscripted into the Star Wars franchise. Harrison Ford was under less obligation, having retained his leading- man shape because he never stopped being a leading man.) Over a spartan snack plate of carrot sticks and hummus, the man behind Luke held forth at length on this subject. Watch the video below for a behind- the- scenes look at Annie Leibovitz’s photo shoot with The Last Jedi cast and crew.“You just cut out all the things you love,” he said. Something as basic as bread and butter, which I used to start every meal with. Sugar. No more candy bars. No more stops at In- N- Out. It’s really just a general awareness, because in the old days I’d go, ‘Well, I’m not that hungry, but oh, here’s a box of Wheat Thins,’ and you don’t put the Wheat Thins in the same category as Lay’s potato chips, and yet I would sort of idly, absentmindedly eat these things while watching Turner Classic Movies, and ‘Oh, I ate the whole box!’ ”Hamill had been dieting and training for 5. Episode VII script he finally received from Abrams, that he would not appear in the movie until its last scene, and in a nonspeaking part at that. On this, too, he has a lot of thoughts. Though he grants that the delayed- gratification reveal of Luke was a narrative masterstroke, he’d have done things differently if he’d had his druthers. Han Solo’s death scene, for example. Why couldn’t Luke have made his first appearance around then? In the finished film, the witnesses to Han’s death, at the hands of his own son, the brooding dark- side convert Kylo Ren (Adam Driver), are his longtime Wookiee co- pilot, Chewbacca, and the upstart Resistance fighters Rey and Finn (John Boyega). Driver’s Seat. Daisy Ridley as Rey, at the helm of the Millennium Falcon, with Joonas Suotamo as co- pilot Chewbacca. Photograph by Annie Leibovitz.“Now, remember, one of the plots in the earlier films was the telepathic communication between my sister and me,” Hamill said. So I thought, Carrie will sense that Han is in danger and try to contact me. And she won’t succeed, and, in frustration, she’ll go herself. Then we’re in the situation where all three of us are together, which is one of my favorite things in the original film, when we were on the Death Star. It’s just got a fun dynamic to it. So I thought it would have been more effective, and I still feel this way, though it’s just my opinion, that Leia would make it as far as she can, and, right when she is apprehended, maybe even facing death—Ba- boom! I come in and blow the guy away and the two of us go to where Han is facing off with his son, but we’re too late. The reason that’s important is that we witness his death, which carries enormous personal resonance into the next picture. As it is, Chewie’s there, and how much can you get out of [passable Chewbacca wail] ‘Nyaaarghhh!’ and two people who have known Han for, what, 2. Still, Hamill recognizes that the popular response to The Force Awakens—its stirring ending in particular—was overwhelmingly positive, his misgivings be damned. As I said to J. J.,” he recalled, “I’ve never been more happy to be wrong.”Besides, holding back Luke in VII means that Hamill gets a lot more screen time in VIII. And dialogue. This time, at last, Luke Skywalker talks. Freedom Fighters. Carrie Fisher, Oscar Isaac, John Boyega, and Kelly Marie Tran as the rebels General Leia Organa, Poe Dameron, Finn, and Rose Tico, with droid BB- 8. Photograph by Annie Leibovitz. II. A Long Way from Tosche Station. Rian Johnson, a sandy- haired, baby- faced 4. Californian heretofore best known among cinéastes for his time- bending 2. Looper, is not only the director of Episode VIII but also its sole credited screenwriter. Episode VII was written by Abrams, Lawrence Kasdan, and Michael Arndt.) Earlier this spring, in a screening room in the Frank G. Wells Building at Walt Disney Studios, in Burbank, California, Johnson described to me the approach he took to writing The Last Jedi, the second film of the Rey- centered trilogy. J. J. and Larry and Michael set everybody up in a really evocative way in VII and started them on a trajectory. I guess I saw it as the job of this middle chapter to challenge all of those characters—let’s see what happens if we knock the stool out from under them,” he said. As it is, none of the main characters in The Force Awakens emerged from that picture in what can be described as a triumphal state. John Boyega’s Finn had been gravely wounded in a lightsaber duel with Kylo Ren. In a telephone interview from China, where he was filming Pacific Rim: Uprising, Boyega told me that, as teased in The Last Jedi’s first trailer, his character, Finn, begins the new movie in a “bacta suit,” a sort of regenerative immersion tank that, in the Star Wars galaxy, heals damaged tissue. Adam Driver, alluding both to Finn’s state and the scar seen on his own face in the trailer, told me, “I feel like almost everyone is in that rehabilitation state. You know, I don’t think that patricide is all that it’s cracked up to be. Maybe that’s where Kylo Ren is starting from. His external scar is probably as much an internal one.”Johnson was surprised at how much leeway he was given to cook up the action. But Johnson, in drawing up his screenplay, decided to raise the stakes further. I started by writing the names of each of the characters,” he said, “and thinking, What’s the hardest thing they could be faced with?”At the top of Johnson’s list: Luke Skywalker. When he was last glimpsed in Lucas’s original trilogy, at the end of 1. Return of the Jedi, Luke was basking in victory and familial warmth, reveling with Princess Leia Organa, Han Solo, and their rebel compatriots at a celebratory Ewok dance party. Turning away for a moment from the festivities, he saw smiling apparitions of his two departed Jedi mentors, Yoda and Obi- Wan Kenobi, along with his late father, Anakin Skywalker, restored to his unscarred, un- Vadered form after redeeming himself in death, sacrificing his own life to save his son’s and slay the evil Emperor Palpatine. You’d have expected Luke to have shortly thereafter found a nice girl and settled into a contented existence on a tidy planet with good schools and dual sunsets, no more than a couple of parsecs from the Organa- Solos and their little boy, Ben. But no. Leia and Han’s romance didn’t last, and something heavy went down with twin bro. The result: the cloak, the hood, and monastic isolation of the damaged, Leonard- Cohen- at- Mount- Baldy variety. Night Creatures. Neal Scanlan (seated), creative supervisor of the Star Wars creature shop, and guests at the Canto Bight casino. Photograph by Annie Leibovitz. So what happened to Luke? What we know from The Force Awakens is that he had been running some sort of Jedi academy when “one boy, an apprentice, turned against him, destroyed it all.” These are the words that Han Solo, prior to his death scene, offers to Rey and Finn—the inference being that the boy was Han and Leia’s son, and Luke’s nephew, Ben, the future Kylo Ren. People that knew him best,” Han says of Luke, “think he went looking for the first Jedi temple.”That part of Luke’s legend, Johnson confirmed, is accurate.
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Watch movies Online Free Full Movie and tv series stream full hd online for free Movies 2017. Although Gadot’s Diana Prince had a decent chunk of screentime in last year’s “Batman v. Superman,” “Wonder Woman” assumes no foreknowledge of any. Again, a big win for DC here, because not only does the label have the box office to crow about, but also the awesome reviews (9. A Cinema. Score). Those were lacking with Suicide Squad and Batman V. Superman: Dawn of Justice. If there’s an indication Hollywood is changing its attitude toward hiring female directors, this summer shows it: Wonder Woman is one of eight features to be helmed by a woman, the others being Sony’s Rough Night (Lucia Aniello), Bleecker Street’s Megan Leavey (Gabriela Cowperthwaite), Focus Features’ The Beguiled (Sofia Coppola), Paramount’s An Inconvenient Sequel: Truth To Power (Bonni Cohen co- directing), Annapurna’s Detroit (Kathryn Bigelow), Fox Searchlight’s Step (Amanda Lipitz), and Open Road’s Home Again (Hallie Meyes- Shyer). As we head into next weekend, can Wonder Woman beat Universal’s The Mummy for the top spot at the box office? Projections for that Tom Cruise film reside in the low- $4. M range. Below is how Wonder Women stands next to other superhero first chapters at the box office (sans superhero spinoff ensembles, i. Suicide Squad and The Avengers). 7th UPDATE writethru, Sunday 7: 1. AM after 1. 2: 4. AM: The warrior princess of Themyscira is finally leaping past the century mark this weekend with $1.
M according to Warner Bros., however, other studios believe Wonder Woman has the power to exceed $1. M this weekend. As we’ve observed all weekend long, the Patty Jenkins- directed tentpole is a benchmark, breaking the domestic opening record for a movie helmed by a woman, the previous champ being Sam Taylor- Johnson’s Fifty Shades of Grey ($8. M). On a worldwide basis for female directors, Wonder Woman at $2. M ranks second behind Fifty Shades of Grey ($2. M). Nonetheless, it’s been a great week for female directors with Wonder Woman‘s high following in the wake of Sofia Coppola’s best director win at the Cannes Film Festival for The Beguiled. That’s the second time in the fest’s 7. Talk about a woman’s touch at the box office: Wonder Woman helped close the gap between this summer and last with 2. Com. Score. This year’s (Jan. June 4) U. S./Canada ticket sales, currently at $4. B, continues to be 3% ahead of last year’s banner year. Overall, the domestic B. O. for this weekend came in at $1. M, +3. 5% over the same period a year ago.“This movie resonated globally,” beamed Warner Bros. Jeff Goldstein about the $2. M worldwide result for the female DC superhero movie. Wonder Woman is a woman for our time, and her message and the tone that Patty Jenkins set forth connects with now. Sue Kroll, Blair Rich and their marketing teams did a brilliant job with this film, and our publicity team screened it early and set the pace for Wonder Women so it peaked on opening weekend.”The success of Wonder Woman this weekend even impressed John Fithian, National Association of Theatre Owners CEO & President who exclaimed, ““I want to congratulate Patty Jenkins, Gal Gadot and Warner Bros on the terrific opening, but Wonder Woman’s success is everybody’s success. At NATO, at Cinema. Con, we have for years called for diversity in movies that match the diversity of our audiences, not just because it’s a good idea but because it’s good business. What we really look forward to is the day when a movie directed by a woman and telling a woman’s story is no longer news because it was successful – or even that it was produced at all – because such movies should be a matter of routine. We will grow our audiences by telling more stories that tell their stories.”warner bros. Wonder Woman easily beats the opening of the first Iron Man ($9. M), though she still floats under the openings of such single (not team) superhero origin features as Deadpool ($1. M), Man of Steel ($1. M), and Spider- Man ($1. M). Currently, Wonder Woman is the sixth best domestic opening at the June B. O, and second best for WB and DC after Man of Steel. If she can get past the $1. M generated by Transformers: Revenge of the Fallen, then Wonder Woman will own the fifth- best debut for the month. Wonder Woman surged to after an estimated $3. M yesterday. Now, since studios include Thursday preview B. O. in Friday’s opening figure, Wonder Woman is - 8% from Friday’s $3. M. However, back that $1. M Thursday cash out of Friday, and technically Wonder Woman is +4. Saturday over Friday. Front- loaded? Don’t think so. To give you some stats about the Wonder Woman shoot: pre- production took 1. The regular cast and crew numbered 1,5. This latest iteration of Wonder Woman was arguably close to four years in the making if you think about it when director Zack Synder selected Fast & Furious actress Gal Gadot to play the red, white and blue bathing- suit clad demi- God. Gadot was introduced before fans at the 2. Comic- Con when the Batman v. Superman: Dawn of Justice panel was held. In addition, Gadot sat on “The Women Who Kick Ass” panel. She returned last year with director Patty Jenkins, Chris Pine and Connie Nielsen. While some in the press would juxtapose Wonder Woman‘s campaign to the size of Bv. S or Suicide Squad‘s, the fact of the matter is that for WB it was a global studio wide effort, pulling together all their forces, and aiming to excite those potential demos well beyond the character’s fans. The film’s social media campaign highlighted themes of Power, Courage, Wisdom and Wonder. Through talent debuts, platform partnerships and custom hashtag initiatives, such as #Wonder. Wednesdays, #She. Is. Wonder. Woman, #WWFan. Art, Wonder Woman‘s social aimed to empower fans to be active participants in the campaign, from the very beginning. Mission accomplished as its total universe across Twitter, Facebook and You. Tube views numbered at least 3. M according to Relish. Mix, with viral video material that spread at a rate of 3. Online, Gadot and Pine kicked off #Wonder. Wednesdays, a weekly fan- forward social campaign hosted on the Wonder Woman Twitter, Facebook, and Instagram channels. Fans tuned in each Wednesday for new content releases and reveals. There was a Snapchat first- ever Five- lens Wonder Woman themed lens takeover, a Facebook Wonder Woman crown mask takeover and Messenger game. Warner Bros. also partnered with Google’s Made with Code to create a custom Wonder Woman- themed coding challenge/project to encourage teen girls to participate in the sciences, via coding. At You. Tube Space LA, there was an advanced screening of the film + Masterclass Q& A with director Patty Jenkins, and a Wonder Woman- themed soiree. You. Tube. Space LA, Wonder Woman, DC, and Amy Poehler’s Smart Girls social channels lead the social media coverage. Of course, there’s been a slew of Wonder Woman stickers and Emojis. There was a whole promo around Mother’s Day with Wonder Woman with fans celebrating inspiring real- life Wonder Woman with the strong, declarative hashtag, #She. Is. Wonder. Woman. Gadot and Pine kicked off the campaign, and included a special Mother’s Day screening event for genre press and their real- life Wonder Woman on the WB lot. Advanced ticketing push across Fandango, IMDb, Atom Tickets, encouraged fans to buys tickets on Mother’s Day and take their Wonder Woman to see the film on opening day. Custom National Snapchat lens encouraged users to snap a photo or video with their moms. There was even a push for the film among parenting blogging sites. Gadot held a Mommy daughter event at the worldwide junket for parenting bloggers. Meanwhile, June 3 was christened “Wonder Woman Day” with 2. K- plus comic retailers, bookstores, libraries and other partners celebrating and distributing free copies of two special edition issues: Wonder Woman Day special edition No. Wonder Woman No. 1 by Greg Rucka and artist Liam Sharp. WB screened the movie for key members of female empowerment social media site Lean In. There were Wonder Woman fan first screenings tied in with the pic’s #Wonder. Wednesdays initiative. Gadot and Pine each hosted dedicated Omaze charity campaigns, benefiting two organizations of their choice with winners invited to meet the stars at the world premiere. Wonder Woman even left her footprint at SXSW with two- themed murals placed in high- traffic locations in downtown Austin and the tech- forward Art of Wonder pop up, located at the Google Fiber space, where fans could watch Google Tiltbrush artists bring the world of Diana Prince to life in VR. Among notable promo partners: there was a line of Wonder Woman- themed Dr. Pepper cans, a Pinkberry flavor named after her, and a seven- piece clothing line released by Hot Topic. Screen Engine/Com. Score’s updated Post. Trak shows more women than men watching Wonder Woman, 5. Older women over 2. Women under 2. 5 have grown slightly from 1. Wonder Woman, only repping 1. In regards to total positive score, women love Wonder Woman just a little bit more than men, 8. In addition, more women than men are definitely recommending Wonder Woman to their friends, 7. In North America, Wonder Woman grossed $9. M at 3. 43 Imax hubs, repping 9% of its weekend haul. That’s the fifth best D. C. opening for the large format exhibitor behind Suicide Squad‘s $1. M and ahead of The Dark Knight‘s $6. M. Twelve of the top 2. Imax theaters, and approximately 4. M was in 3. D ticket sales. Did women attend with their friends? Word is that all of the Women- only screenings at the Alamo Drafthouse locations sold out this weekend. Also, there was this group of 7. We Are All Diana” shirts: Wonder Woman‘s A Cinema. |
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